Part II
In Taberna --- In the Tavern
11. Estuans interius--- Seething Inside
No.11(Estuans interius) The rushing rhythm sweeps the singer along with it. Represent the seething inside feeling. Using 4 motives in this movement. The vocal style moves from the free expressive of opera back to a wild, dynamic flux.
11. Estuans interius--- Seething Inside
No.11(Estuans interius) The rushing rhythm sweeps the singer along with it. Represent the seething inside feeling. Using 4 motives in this movement. The vocal style moves from the free expressive of opera back to a wild, dynamic flux.
12. Olim lacus colueram--- Once in Lakes I Made My Home
- No.12 (Das Lied des gebratenen Schwans) is for falsetto tenor supported by bassoons in a high
register, piccolo, E flat clarinet, trumpet, and trombone with flutter
tonguing. This combination gives the movement a grotesque character.
13. Ego sum abbas (Percussion, brass and chorus)--- I Am the Abbot
- In this drunken piece No.13(Ego sum abbs), the melody(same notes) just exactly sounds like
a drunken man talking
14. In taberna quando sumus--- When We Are in the Tavern
The impetuous rhythms of No.14 (In Taberna), give an unusually vivid impression of orgiastic flurry. In the begging with a “minor” key to present their stress, want to find the joy, get drunk. Later, music keep play dominant “e” for couple measure in middle part, to change to “A” major key, present drunken with temporary joy.
